Saturday, December 19, 2009

the past three weeks

As I'm three weeks behind, I'll do my best to get caught up, but I don't know if I'll include everything simply because once again my life's been a whirlwind (college can do that to ya).

On the sixth the PBSO played a concert in St. Andrews and I went home specifically for that. As usual the concert was wonderful (though I wasn't a fan of the Lumberjack Song), but there was a surprise: I came away with a new favourite orchestra. That brings the number back up to three.

I also spent that weekend reading like crazy since I had a test in 2D Design the following Thursday and I needed to read four (looong) chapters. I don't think I did too badly on the test--at times, reading the book felt like a refresher.

The next week was assessment week. Originally it was supposed to be this past week, but they shuffled the schedule around so that the school year was one week shorter. As a result we had several history lectures that ended with a quiz (usually we're given a week to study). In most of my classes I did quite well, but my final project for Creative Process wasn't quite there. As I put it, "good, but..." I wasn't really happy with my final project for 2D Design, but it was one of those that I crammed in between doing other things.

Once my last class (Fashion Design) was over, even though I still had panel assessment, I went into Christmas break mode.

On Saturday I went to the Beaverbrook Art Gallery. Tom had told me that by the time I came back from break the French Impressionists exhibit would be over. Since NBCCD has corporate membership with the BAG, all students get in free with student ID. For the Impressionists exhibit it costs two dollars.

That afternoon I started my Christmas shopping--or tried to.

I also listened to the Met's first radio broadcast of the season (Il Trittico). When they played O mio babbino caro (see previous post) I burst into tears because the music was so beautiful and because I was finally listening to it in context.

On Sunday Liz and I went to the Regent Mall and did some Christmas shopping before going to see The Twilight Saga: New Moon. The movie was better than Twilight until the end, which was very abrupt.

That evening I made most of the cards that I planned to send.

The next day I continued my Christmas shopping and spent about four hours on my feet--without a break. But it was worth it because Mom's stocking is going to smell really good!

Wednesday was panel assessment, which was okay, but I wasn't very happy with the results. When I got home (via taxi because the windchill had dropped to an unbearable temperature--even when a large Vanilla White Hot Chocolate from Second Cup was included) I started packing, which I continued the next day.

Mom picked me up at MJC on Thursday. That evening I realized just how much I missed Tom's jokes, which are hilarious.

Yesterday I braved the windchill (again) and brought the tree that Mom had cut into the house after sawing several inches off the top and bottom. I spent the rest of the morning and part of the afternoon decorating it and was surprised when I was done at around two--last year I was at it all day. Then again, this year we had restrictions on what we could put on the tree since we don't know how Baxter will react to the whole thing. While I was decorating, he tried to climb the tree.

In the evening I wrapped presents and sorted out what would go under the tree and what would go into Mom's stocking.

Today I plan to listen to the Met's radio broadcast (Les Contes d'Hoffmann), read, finish the gingerbread cookies that I started last night, play the March from The Nutcracker at roughly the same time that the Bangor Symphony's playing it (break a string, Lynn and Molly!), and enjoy being with my parents--and try to get used to the fact that I don't have to leave on Monday!

Saturday, November 28, 2009

T-minus two weeks

To celebrate two weeks until the Met's first radio broadcast of the season, here are some videos of pieces from the operas that will be broadcast (including seven that were recorded at the Met). Enjoy!


O mio babbino caro from Gianni Schicchi from Il Trittico. I remember asking Tom about this when I heard it for the first time in '99 and at the time I really wanted to hear it in context. I forgot about that dream until I saw that the Met will be performing it this year.


Song of Olympia (Les oiseaux dans la charmille) from Les Contes d'Hoffmann. I think Natalie looks like Shirley Temple in this production. Tom has a CD of highlights from the opera and before I left for NBCCD I listened to it constantly. Especially the Entr'acte, which I can't wait to hear the MOO play.


The final scene from Elektra with Deborah Voight, who'll be singing it this season. Besides this video (which was recorded at the Met) I've never heard of this opera.


A scene from Hansel und Gretel. This is from the simulcast that the Met did in '07/'08. Wonderful music (BRAVO MOO!!!) mixed with a wonderful mess. I bet this production is a lot of fun since by the end of the performance the lead singers are absolutely covered in food. Note the KitchenAid mixer.


WOW! I can't wait to hear this for the first time.


The Habañera from Carmen. I've heard a few pieces from the opera, but it'll be nice to hear the whole thing.


This is another one that I've never heard of--but I'll take anything the Met throws at me. This one won't be live, though: it'll be an archive performance from 1958.


Ditto for this opera--but bring it on!


...and this one.


Brace yourself for the high C's--BRAVISSIMO! This is Pavarotti's very first performance of this opera at the Met (1972). This is one of the few times when I actually feel sorry for those who don't like opera (not everyone has to like the same thing): this is such a classic, monumental performance. The high C's (middle C's) are difficult for a tenor to reach and are sometimes downgraded to B natural to make it easier to sing.


Let's just say that this year I'll be hearing a lot of operas that I've never heard of before.


This is one of my favourite operas. It's also the Met's most-performed opera. Tom gave me this performance on DVD for Christmas last year (I'd seen it on TV a few months before). Dig out the kleenexes: the Met knows how to make me cry--and enjoy it at the same time.


The summery of this opera sounds ridiculously intriguing, but I'm not exactly a fan of the music.


Now this is one I could get into--it looks so darn cool! (And it's another one that I've never heard before)


Natalie will be be singing this role at the Met this year. Yet another one that I'll hear for the first time.


This is one of those pieces that I've never heard in context. This was recorded at the Met in '89.


Glory to the Metropolitan Opera Orchestra! If you want a reason why I love that orchestra, here's one--now go listen to the demo of the Hunters' Chorus played by the French horns for the other reason (if you decide to listen to that, prepare to have your socks knocked off by eight wonderful musicians). For the last couple of seasons the Met has been performing a "Family Production" of the opera, which is shortened to one act (it was the first simulcast). As for the overture, just the first three notes are played. This season, however, the Met is performing the whole thing--YAAAAY!


I know almost every word of this piece and have heard it live (André Rieu and the JSO). I also love the Overture, but have never heard either one in context.


I'm familiar with this piece, but I've never heard it in context.


This is one that I've never heard of before, but it sounds really cool.


This will be the Met's final broadcast of the season and it's yet another one that I've never heard of before.

Last season I realized how big the world of opera is and how much I have to learn and this year is no different. The Met is a good teacher and I'm enjoying learning from one of the greatest opera companies (and orchestras) in the world.