Showing posts with label show opening. Show all posts
Showing posts with label show opening. Show all posts

Sunday, January 19, 2014

saying goodbye is never easy...

...and sometimes it's downright painful. I won't lie: this week has been both good and rough, and no matter how well I slept the night before, every night except Saturday night I crashed into bed due to the exhaustion brought on by my grief over Stan's death. Thankfully, there are those things known as email and Facebook--and Mom and I have made good use of both.

Also: every week I try to tell the story of that week as honestly as possible, usually editing only for grammar and clarity. Having said that, this week's post is extremely raw and emotional at times, due to both my commitment to honesty and where I was emotionally when I wrote this post, which I did over the course of four days. You might want to grab some kleenexes before proceeding. You have been warned.

This post is dedicated to the memory of Stan Hart.

Monday: I met with Adrian, and he suggested that I do the project, but not as part of a course. He will meet with me periodically.

I got the reading situation for Carla's classes sorted out. Hello, marathon reading sessions for the rest of the week.

My part of the APC show (Photographs) opened at the Anna Leonowens Gallery and was well-received. It looks awesome.




Tuesday: I had a meeting with Joan after Twentieth-Century Art. Toward the end of the appointment, I told her about Stan's death--and burst into tears. I shared with her some of the things I loved about him--and that I miss. I knew his death had to hit hard at some point. I think it was obvious how much he meant to me.

I spent the rest of the afternoon studying and then made a card for Ruth (Stan's wife). I couldn't write the message for the card without crying--a fact that I put in said message.

Wednesday: I mailed the card and then spent the rest of the day catching up on readings for my courses.

Eventually, I tore myself away from my reading to zip down to the Port Loggia Gallery for the opening of the rest of the APC show. ...and then it was back to reading.

Thursday: Due to staying up a bit too late the night before, I had to fight to stay awake in class that morning (sorry, Jayne).

In between classes I went to St. Mary's Cathedral Basilica (which woke me up--sometimes a good, brisk walk a few hours after the coffee has worked as much magic as it's going to helps--for a few hours, at least). While I'm not Catholic (I'm Eclectic Pagan), I wanted to light a candle for Stan and had felt the urge to do so for a couple of days. I wanted to feel the sense of peace that almost always comes over me when entering a place of worship, regardless of faith. I did some intense googling Wednesday night, and the only church that I found that listed their hours was St. Mary's--and they have a little blurb on the side of one of the pages that says that "visitors are invited to light vigil candles when visiting the church." PERFECT!

After lighting a candle (one of the tea lights--they also had gargantuan votives), I chose a pew at the back (one of the ones with a padded kneeling bench--awesome! I don't think I've ever seen a padded one in a Catholic church before.) and prayed. On my way out, I stopped for a few minutes and watched my candle burn, thinking about Stan and remembering the last time I saw him (this past summer, which was my last time talking with him and the last time I hugged him. Writing that sentence when I started writing this post on Thursday evening triggered a massive, violent sob-attack--there's no other way to describe it. Sometimes the fact that my honorary grandfather, a man I loved dearly, who always had a smile for me and was always a joy to be around, is dead hits me with the force of a semi truck. I miss you, Stan. I miss you. Terribly.) and silently crying. I then got lunch and headed back to class.

Afterward, I continued the readings while listening to the recording of Beethoven's Missa Solemnis that I got for Christmas (this recording). During times like this, there are always at least three things that help me: my faith (whatever it happens to be: I've converted twice already, with an average of ten years between switches), talking about it with friends and music. Specifically music like the Missa Solemnis or the second movement from the Emperor Concerto or the second movement from Beethoven's seventh (notice a theme here? I firmly believe that Beethoven wrote something for every mood, every moment in life, and I often turn to him, in both the good times and the bad.).

If you're curious, here's Stan's obit--with a photo (I completely lost it when I saw the photo). That smile--which I'll never see in real life again. Unfortunately, the site is one of those where you can only read a few articles before it asks you to subscribe. I made a PDF of both his death notice (also posted on that paper's site) and his obit.

Friday: In the wee hours of that morning, I finally put together what I'd been aching for for a couple of days: a playlist of tracks that, when I listen to them, go straight to my soul. In my usual style, I went through iTunes and put everything that sounded like it might be suitable in the playlist. Miraculously, the whole thing fit (though barely) on my 2GB second-generation iPod Nano, along with everything else that I have on there (I had to dump a couple playlists, though). Three hours of peaceful music, some sacred, some secular--everything from the second movement of the Emperor Concerto to Ase's Death to Rachmaninov's Vespers. Done.

That afternoon, I had an appointment with Shawna (the registrar) to tell her what I was up to with regards to the independent study. She asked me how I was, and I told her that there were two parts to the answer: my classes were going well, but a close friend who was like a grandfather to me had died almost a week ago. I couldn't talk about Stan's death without my voice getting shaky. We also sorted a few things out on my audit work sheet.

I spent the rest of the day studying, and when Becky (remember her?) came into the computer lab and asked me how I was, I told her everything--and sobbed in her arms. She's right: I have had a rough year (though I know how to deal with what I'm currently going through, having felt the pain of grief before). One of the security guards who works the 4:00 PM - 12:00 AM shift during the week, Bill, had seen me when I told Jake what was going on, saw that I was really upset and a few minutes before he needed to start making the rounds (one person from that shift of security guards has to go through the entire school in two hours--there are two people and while one sits at the front desk, the other goes through the school) came to see what was up. I told him--and sobbed. He comforted me in his weird, awesome way.

Saturday: I spent the afternoon studying, listening to opera (an archive performance from earlier this season of Eugene Onegin) and, especially at 2:30, thinking of Stan and his wife, Ruth (2:30 was when the funeral was).

That evening, Helen (my old mentor from my last year at NBCCD and a family friend) and I skyped. It made up for the fact that I was unable to go to the funeral (I really wanted to go): we shared stories about Stan and Ruth, I read her the message that I'd written in the sympathy card, I cried... When I'm going through something like this and am able to have a good, long conversation about the person who's died and what I'm going through, I regard it as sacred. And while all the things that I'd done prior to Helen's and my chat helped a little, our chat really helped. We both think of it as our own memorial service.

I am incredibly thankful to everyone who's helped me through this terribly sad time.

That night I finally got caught up on my readings. Whew! Now I'll have more time for other things--including my independent project!

Sunday: When I woke up today, I felt a lot better: I didn't feel so weighted down by grief. I still miss Stan, but it isn't as intense.

I spent the afternoon doing the readings for Twentieth-Century Art and started the readings for this week's Topics in Modern Canadian Art this evening.

Sunday, December 4, 2011

stress? what's that?

NBCCD has officially entered Finals Season. But for the first time ever, I'm not stressed. Usually by this point I'm stressed about final assignments, and (in the case of FVA) exams. But not this time. I know what I'm doing. And I don't have much homework.

Monday: This week, the overall feeling from the teachers was, "you've learned all I have to teach you for this course," and it was especially prevalent in the Monday classes. This weeks' assignments are to tweak the business plan and write an update on our mentors. Next week we'll hand in the final version of the B. plan, and by that point it should be good enough that we could walk down the street to somewhere like the Atlantic Canada Opportunities Agency (ACOA), and apply for a loan.

In Output, our final assignment is to pick a wall in the NBCCD gallery and lay out a show on that wall. That includes a heck of a lot of measuring, and dealing with the fact that the floor in that gallery isn't even. I've done the assignment already (it isn't due until next week, a.k.a. the end of term), and it wasn't the evenness (or lack thereof) of the floor that drove me nuts--it was the amount of space between each photo. I wanted to get them exactly even, so I positioned the two end-photos--and then did battle with the ones in between, moving them back and forth and using the Ruler Tool to measure the distance between each one. Grrr... I finally got the measurements to be the same, and then started in on the distance between the floor and the photos, which only took a couple minutes.

One of the things I love about NBCCD is how much the college focuses on the "real world". If I apply for a show (and I will at some point), this is what I'm going to have to deal with.

Tuesday: That day was one of my laziest ever. I don't know how I did it, but somehow I managed to get off my butt at about five that evening and over to the college, where I did some work (starting the final report for my current independent study project, getting the last model release from Dance Fredericton, and starting the mentor update for the business class) before heading back to my dorm.

Wednesday: We're pretty much done in Photoshop, and I spent most of the three hours working on my independent study project for that class. We have another week in which to work on the projects, but I'm pretty much done. I'm going to show mine to Drew this week, and see if he has any suggestions on how to make it better. I admit that I'm loving this project--and it's a good way to put some of the anger that I feel towards the current government to use. And get school credit for it.

And we're pretty much done in Lighting, too. We spent part of the class having our work critiqued--and then Drew spent the rest of it untangling a box of cords and random stuff that's usually in the studio, and putting it all to rights.

Thursday: Thursdays and Fridays are usually my most productive days of the week, and this week was no different. Preparing for Professional Life homework: done. Output homework: done.

I also went to the first of two openings: Rooted/Uprooted by Linda Kelly, and Miramichi, 1953 by Rachael Flett. Both were in the Annex Gallery in the Playhouse, and both were amazing. Linda was my History Tutorial teacher in first semester FVA, and Rachael graduated from the photography program this past June. Rachael's now living in Calgary, AB, so she couldn't be at the opening. Karen and Peter spoke in the wing where Rachael's show is hanging. And then we all went across to the other wing, where Linda spoke about her work.

Friday: Another ridiculously productive day. I began preparing to print my independent study project, and stocked up on print credits and got a portfolio for the final photos.

And I did yet more homework.

And went to another opening. This one was at NBCCD's gallery. It's an alumni show, titled Illusion, and it's centred around fashion. Miniaturized fashion.

I also said good-bye to Tom's Nikon. I'm probably going to go with Canon for my next camera (better optics and sensor, and as I don't put my cameras through a lot, I don't need the best-sealed cam on the block), but I got a taste of life with a higher-quality camera than mine. And I loved it.

Saturday: The first Metropolitan Opera radio broadcast of the year! Which meant that I planned my entire day around the performance. And that meant that I had to be at the school by 1:30 PM (12:30 EST) at the latest. CBC's over-the-air reception is the pits here in NB, so I usually listen to the broadcast on my computer.

The first broadcast was Rodelinda by Handel, with Renée Fleming in the title role. I'm not the biggest fan of Baroque opera, but this one wasn't bad. I liked it a lot better than Orfeo ed Euridice (Gluck). Next week's opera is Faust, by Charles Gounod, which I'm really looking forward to.

And I found out that Maestro Levine will not be conducting some of the performances of the Ring Cycle this season, due to a fall while on vacation. He'll be back on the podium starting next month, but the Met's principal guest conductor, Maestro Fabio Luisi, was elevated to principal conductor and has taken on some of Maestro Levine's performances. Maestro Levine will conduct one performance of Götterdämmerung (April twenty-fourth), though he's conducting the other three Ring operas.

For those who don't know, James Levine has conducted every single performance of every single Ring opera since 1989. That's almost my entire life (I was born in '88)! He's conducted over 2,000 performances with the Met.

In amongst all this opera, I also managed to do a shoot for my last independent lighting assignment. This time, I worked with everything that I had yet to use. Or almost everything--as the Speedatrons and I are enemies right now (they still refuse to slave), and the snoot that the school's studio has is meant for that system, I wasn't able to try it out. However, even just turning on the modelling light taught me a lot: turns out, the snoot focuses the light on one spot.

Sunday: I'd hoped to print a test for my big independent project (the dance one) today, but the printer's loaded with matte paper, and I have no idea where the lustre paper's disappeared to. I've decided to move printing to Tuesday.

Right now, I don't have much homework, so I haven't done much that could pass for "productive" today. However, I went through the photos that I shot yesterday, and picked out the ten best. I'll probably put my notes in a Word document later this evening or tomorrow evening.

And I have to print off stuff for Preparing for Professional Life, which can be a minor pain when you're used to submitting everything digitally (thanks, Photo Studio!).

I can't believe tomorrow will be the last three-class day of the year. I love all three classes, but still--YIPPEEEEEE for the fact that tomorrow is the last time I have to slog through nine hours of classes this year!

Sunday, October 2, 2011

confessions of an art addict

After the non-weekend that was last weekend, this week I made a point of getting as much work as possible done between Tuesday and Thursday. I knew I'd have stuff that I needed to work on over the weekend (for example, my drawing assignment, which isn't due until the Monday after Thanksgiving weekend), but I didn't want to be doing homework all day for three days straight, crashing into bed every night, and waking up exhausted every morning. Mission accomplished.

Monday: This time Adam took us outside--to the Loyalist Cemetery (between George and Brunswick Sts., with Carleton St. stopping at the south end of the cemetery and picking up again at the north end). I couldn't resist taking off my sandals (a pair of Tevas that have probably been through everything except snow), having worn them since about eight (seven EDT) that morning.

As that night was the Met Opera's Opening Night (the Met premiere of Anna Bolena, with Anna Netrebko in the title role and Marco Armiliato conducting a certain favourite orchestra), I listened to the last few minutes of the second--and final--act of the opera when I got home. For the first time in several years, the Met pretty much nailed the opening night performance (in '09, the director, producer, and the rest of the team were booed when they appeared onstage after the performance; and opera-philes are still iffy about Robert Lepage's production of the Ring Cycle). And that brings me to...

Tuesday: Drum-roll please: I ordered my ticket to the Met's Live in HD simulcast of Anna Bolena!!! I'd originally planned to order the ticket last weekend, but they weren't on sale at the time. Time to start counting down to October fifteenth (by the way, that performance is completely sold out at the opera house)! And this time I'm going with a friend who's a fellow Met fan (I went to the other simulcasts alone)!

I also calibrated my MacBook Pro's screen. This is the second time that I've done that, but it's the first time that I've done a really good, thorough job. The screen has more of a magenta tone to it now, but the blues are noticeably richer.

That day I decided that next weekend (this weekend) wouldn't be another non-weekend weekend, and I dug into my homework that afternoon.

Bonus: I was well-rested for the first time since the Thursday before the non-weekend weekend (September twenty-second). And as a result, I felt like the happiest woman in Southside F'ton.

Wednesday: I started the day bright and early by rolling film before Photoshop class. I considered developing it, but realized that I didn't have enough time. So I stuck the canister (which is light-proof) in my locker, to be developed after lighting class.

Thursday: That afternoon I finally finished the reading for Output--as I believe I said before, one of the textbooks that Drew has us reading from, Fine Art Printing for Photographers, 2nd edition, is fond of long chapters. I've been reading each chapter all in one go, but I've found that that's a bit much for me, especially when I have a bunch of other assignments bouncing up and down and trying to get my attention: "pick me! I'm due on Thursday!," "pick me! I'm due on Monday!" So this week, I decided to split it up into at least two readings: half the chapter on Tuesday, the other half later in the week. Done.

My independent study project is starting to come together even more: Peter had me bang out a bunch of quick 'n' dirty prints that might work for the project, and I'm glad I did that. It renewed my excitement for the project, and helped to give me some ideas as to where I might like to take said project in the coming weeks.

That evening was the first of two show openings that I went to this week, both of which feature work by one or other of my teachers: Obscura: Confessions of a Pinhole Photographer opened at the Campus Gallery. Obscura is a show of photos (both black and white and colour) taken with pinhole cameras by Drew Gilbert, who's my Digital Output, Lighting, and Photoshop teacher. Here's a PDF version of the poster.

The show also features some of his camera obscura photos. For the last decade or so, Drew has built a camera obscura in every single place that he's lived--sometimes he's moved just to make a camera obscura at that location.

In addition to Drew's work, one of my classmates, Erin, who's also into pinhole photography, showed a few of her photos on two of the walls. Some of the photos were straight-up pinhole photos, but some of them were taken using a technique called solargraphy. Solargraphy is when you use a pinhole camera to track the sun's path over the course of a month or more. The sun is recorded as bands (either white or coloured) across the paper. After X number of months, you cover the hole, take the whole thing into a darkroom, and scan the image (no developing). Because the photo isn't fixed, you have one chance and only one chance to scan the image. Drew and Erin had to work on that a bit...

As a special touch to the opening, Karen had some of Drew's students talk about what they like about Drew. I spoke, but right now I can't remember what my exact point was. I think it was that Drew is really approachable.

After the show, I went back to the photo studio--specifically, the darkroom--and cranked out those photos for the independent study project.

Friday: That day was primarily a work day, and I spent most of it working on stuff for Preparing for Professional Life. However, I also shot my Lighting assignment (shiny objects).

But that evening, there was another show opening: Boneyard Blues by Adam MacDonald (yes, my drawing teacher), and Funcrush by Jean Rooney at Ingrid Mueller Art + Concepts. I met Karen and one of her friends in the NBCCD gallery that afternoon, and we walked over to Art + Concepts (on Regent St., just up from King St.).

As usual, Adam's work sent my head for a spin, and I felt like there was something more to it that my brain just wasn't grasping. But that's what I love about his work: I want my brain to be stretched, twisted and spun. I might go back at some point between now and the eighteenth, which is when the show comes down. Neither of the artists spoke, but I was cool with that: until I started going to show openings in F'ton, I hadn't been to an opening where the artists spoke, so it was a new, and even foreign, experience for me. It's still rather new.

Boneyard Blues was also a milestone for me: after being a student at NBCCD for two-and-a-bit school years, and knowing Adam as my academic adviser, teacher, and favourite artist, and hearing about his shows at Art + Concepts (this one is his fourth there, and the third since I started at NBCCD), I finally made it to one of his openings (I'm not counting Journey into WHATEVER, because that one was super-easy to get to because it was at the college gallery)! The first one that I heard about (in the spring of '10), I would've gone to if I hadn't been going home that weekend. The second one I knew about, but the wording on the Art + Concepts website was a bit confusing as to where and when the show was to take place, so I didn't make it to that one. This time, it was very clear as to where and when the show was, and since I had yet to make it to the opening of one of Adam's shows, I decided that I would make a point of going. No ifs, ands, or buts--I. would. be there.

Saturday: Yesterday was the second annual Guess Who? fundraiser, put on by Sunbury Shores Arts and Nature Centre, Inc. Just like last year, the event was sold out, and all 119 canvases (created by 104 artists, including Mom and me) went to good homes (you can tell that I've had too much exposure to cat rescuing and adoption). The event raised $13,200.00 for the centre.

Next weekend is Thanksgiving weekend, so I'll be going home for the first time this year. Yippee! Home on Thursday before Thanksgiving, and back to F'ton on Tuesday!

PS: In case you're wondering, yes, the title of this post is a play on the title of the show that's currently hanging in the NBCCD Gallery. ;-)

In the Hall of the Mountain King, inspired by Grieg's piece by the same name. This was my creation for Guess Who?